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From the National Conference to Member Meetings to workshops, committees and roundtables, numerous CURT events throughout the year offer unparalleled connectivity opportunities.

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Held in April, June, September and November of each year, these events are open to CURT members for committee meetings, plenary sessions, networking receptions and dinners. Participation here is where significant membership value is realized.

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Architectural enthusiasts lauded Goodhue's irreverent and uncommon style of the exposition. C. Matlack Price wrote an article in Architectural Record explaining why Goodhue's design was so praiseworthy. He wrote that the exposition expressed "the history, resources, prosperity, industries, and products, as well as the golden-lined future promise of the Southwest." He also believed that design was both "historically and locally appropriate" even though the styles of the buildings looked like "a sort of architectural buffoonery, yet actually a style of strange and peculiar delight." (Page 234-239)

On page one of the January 1, 1915 San Diego Union , a reporter describes the ornate and intricate architecture of the California Quadrangle's buildings. The pictures below illustrate Goodhue's design style:

At the top stands the statue of Fra Junipero Serra to whose labors was due in great measure the real start of civilization on the coast of what is now the United States. At one side stands Cabrillo, the discoverer of 1542... At the other is Vicsaino, the explorer of 1602, beneath the bust of Philip II of Spain... and across the arch is Fray Jaumo, the first white martyr. It is a pictorial history of the American west coast.

The article continues to discuss the ambiance created by the architecture and use of a Spanish Myth:

The dimly lighted grounds through which first visitors passed on their way to the Isthmus never before seemed to cast the enchantment of last night. Dark-eyed Spanish girls in their striking gowns of Old Spain danced in the mellow gloom of patios which might have been hundreds of years old... From different parts of the grounds came the strains of bands playing Spanish airs, and now and then the voice of a senorita broke through in happy melody. The air was surcharged with romance, redolent with sweet breath from 640 acres of blooming fairyland and teeming with the atmosphere of a long time since passed and made possible only by blending the old with the new.

(January 1, 1915 pg 1)

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